with Exhibition Partner Wise Art 2025

I am a German-born, largely self-taught visionary photographer and digital artist working across photography, drawing, painting, digital processes, and AI-assisted image making. My practice emerged from a profound personal transformation rooted in childhood hardship, an identity crisis, and the gradual healing of the wounded inner child. What followed was less a reinvention than a return: a rebirth into a deeper consciousness shaped by Jungian psychology and Hindu-Christian thought. The question "Who am I?" preceded the internet and today's discourse around technology and identity. At that time, photography was my only medium. Creativity, for me, has never originated from technology but from the Self.

My work explores the dynamic interplay between the conscious and unconscious, often reflecting the spirit, strength, and essence of women as experienced through my own perspective. The unconscious remains deeply personal and ultimately inaccessible to public observation.Since 2016, I have developed an intuitive, nonconformist practice working digitally in direct engagement with nature, transforming formlessness into imaginative visual states. Rooted in photo editing since 2000, my self-directed process is driven by curiosity about the medium itself. Through continual reworking of my own source material, I investigate transformation, movement, and emotional resonance, resisting the static quality of the digital image.I began incorporating AI-assisted methods in 2023, initially embracing speed, chance, and surrealist automatism, pure psychic automatism because I could. As generative tools evolved toward frictionless perfection, I moved with imperfections, interested in the new medium’s own expressiveness ,observing and building from there while narrowing my themes embracing various AI-gen models, not only one.

My background is in analogue photography. I worked as a stills photographer on film productions, in black-and-white darkrooms, and as an assistant to a fashion photographer. Later, as an in-house photographer in Munich, I produced advertising imagery for ski wear and BMW. Following a period of personal rupture and years away from photography, I created book-cover imagery exploring noir themes and exhibited internationally, including collaborations with Henry Boxer Gallery in London, Shrine's The Empty Gallery in New York, and the Computer Arts Society in London. Today, my practice continues to evolve at the shifting threshold between image, imagination, and technological change.