with Exhibition Partner Wise Art 2025

I am a german native, a largely self-taught visionary photo and digital artist, a self generating alchemist who is working across photography, painting, drawing, digital art, and AI-driven image creation.

A transformative awakening emerged once from an identity crisis shaped by childhood hardship, the wounded child, and was then leading to the healing of this inner child, a rebirth happened, a shift into higher consciousness without the internet. It was not a birth of digital individuation, it was and is the one authentic according to C G Jung. The only tech and art at this time was photography.I am therefor not searching for my identity at the new intersection between tech and art because creativity already evolves out of the Self. My work explores and emerge from the original interplay between the conscious and unconscious and reflects the spirit, essence and strength of woman in art from my perspective.The unconscious realm is deeply personal and inaccessible to public observation. versus .

Since 2016, I have developed an intuitive, nonconformist process of creating from the digital green outdoors where the essence of color meets the power of nature—transforming “formlessness” into new imaginative forms. Rooted in photo editing since 2000, this self-directed work is driven by an exploration of the medium itself approaching it with scientific curiosity.My work investigates transformation, movement, and emotional resonance, trying to resist the static nature of the digital image. I rework my own source material, integrating photography, drawing,digital art and also generative results in Photoshop without AI integration.

• Engaging with AI since 2023, I initially approached it like shooting with a camera motordrive, together with surrealist text automatism it allowed unexpected forms, associations and imperfections to emerge. Over time, I slowed the process down again and began narrowing my themes.Now that generative tools can produce pristine compositions in mere seconds, perfection is free, common, and fundamentally hollow.** I was embracing error and flaws** right from the beginning, it was part of my approach with AI-gen. (2023-2026) I have created many and because these technologies also consume vast quantities of fresh water, which is used to cool data centers, I have pulled the breaks now (environmentally conscious) however never took part in pre-crypto-crash NFT boom'' Beyond the environmental concerns, the human labor GenAI requires is also largely hidden from its consumers. While the outputs of AI appear as instantaneous computational achievements, they are the result of considerable low-wage human labor wherein workers in factory-like conditions “clean” their training data **and correct errors ** (Altenried, 2020; Pogrebna, 2024).'' quote Sage Journals

My background is in analogue photography. I spent several years on film sets as a stills photographer, often shooting from the same angle as the cinematographer to capture the exact action from a perspective suited to clean promotional images — sometimes referred to as “stills from the film.”I worked in black-and-white photo labs and assisted a fashion photographer, later spending a year or two in Munich, Germany, photographing advertising campaigns for ski wear and BMW as an in-house photographer. A radical cut marked the beginning of a new chapter with long periods of no photography.Later I created book cover art through a photo library for several years focusing on sellf directed noir niche themes outdoors, got published in Zoom International Magazine, collaborated with Henry Boxer Gallery London, exhibited at Shrine “The Empty Gallery” New York, at Computer Arts Society London and finally faced the blockchain.