⇡ Portfolio NFT Wise Art / Feature on Nasdaq ⇡

New at Sedition 

I am largely self-taught visionary photographer and digital artist working across photography, drawing, painting, digital processes, and AI-assisted image making. My practice emerged from a profound personal transformation rooted in childhood hardship, an identity crisis, and the gradual healing of the wounded inner child. What followed was less a reinvention than a return: a rebirth (Renaissance) into 'consciousness', our eternal, pure, and divine essence.Individuation informs my work without limiting it merely to autobiography. 

My work explores the dynamic interplay between the conscious and unconscious but not only ,the unconscious remains deeply personal and ultimately inaccessible to public observation.Since 2016, I have developed an intuitive, non-conformist practice working digitally in direct engagement with nature, transforming formlessness (green blurred outdoors) into imaginative visual states and new forms.(Breaking old rules often leads to new and exciting ways to make art.) Especially within the last decade I created new forms and approaches to digital art, offline, my underground chapter for the sake of digital art. Creating art from formless, unrefined pixels in Photoshop is a deeply organic, human-driven generative process without utilizing AI tools. Rooted in photo editing since 2000, my self-directed process is driven by curiosity about the medium itself , triggered off by sudden changing life circumstances.Everything shifted slowly from photography to computer art.

I began integrating AI-assisted methods in 2023, initially embracing speed (as if a motor camera drive in photography), chance, and pure surrealist automatism mainly using various models at NightcafeCreator because I could experiment there better. Ofcourse finally the AI-model is making all the difference; though instead of letting a specific sophisticated polished artist process taking over my creativity I could get my own thing out of it.A model or template is nothing without an input. I am or was interested in the new medium’s own expressiveness ,observing and building from there while narrowing my themes in a conscious ethical way and have slowed the whole process significantly down.Working with AI generators while prioritizing sustainability requires a "less is more" approach.I didn't enegage with NFT before Crypto Crash and thereafter with caution.

My background is in analogue photography. I worked as a stills photographer on film productions, in black-and-white darkrooms, and as an assistant to a fashion photographer,Monika Robl.Later, as an in-house photographer in Munich, I produced advertising imagery for ski wear and BMW. Following a long period of personal rupture and years away from photography and commercial, I created book-cover imagery exploring noir themes and exhibited internationally through various publications incl. Zoom International Magazine Italy, collaborations with Henry Boxer Gallery in London, Shrine's The Empty Gallery in New York, the Computer Arts Society in London.

Nobody should marginalise a female digital photo artist because of my portfolio at wise.art which is without expectations.I wasn't active on blockchain before cryptocrash and I can choose any blockchain that I like after cryptocrash because I didn't trust the new system enough with my art; I was right also because many platforms been closing down, I wasn't sheep enough to follow the hype yet I have a portfolio now which is safe, a display more or less, nothing more yet, anyone can apply; if it causes envy or dislike then this is not about art. (rebellion = sedition)